디지털디자인의 새로운 에피스테메의 전범으로서 디지털 사운드 디자인에 대한 연구- 후기구조주의적 관점에 입각하여

In the same manner as the case of design, in the history of sound making, the digital technology also means a kind of revolution which instigate a cultural rupture : appearance of new episteme. The phonetics of a language was anywhere and always superior to the gramme of a language, text. In terms of Derrida, logos was anywhere and always superior to 'differance'. Sound design, the new genre of digital episteme expends its metaverse in which a multimedia designer produce certain sounds on the computer. Remarkably, this is not a revolution concerning only process but also way of thinking : platonic consideration is reverse into one of postmodernism or poststructuralism, in reality. 'Metaverse' is reversed world. There are not any more the importance of origin, but one of difference, reproduction, mutation and text rise to the surface in it, therefor what the digital technology brings into our world is not only a physical convenience but also a metal revolution. In this study, one chase a trace of this metal revolution at the stand point of poststructuralism, and also concretely and practically, one investigate two major digital sound program solution called 'sound forge' and 'nuendo', to find out the main concepts about this kind of mental revolution which allows us to expect the fundamental innovation in the future.