중국 현대 미학의 주제와 디자인

The article purposes to discuss three themes of Chinese aesthetics in contemporary China. To analyse aesthetical themes I suggest thre categories on basic characteristics, structure and contents. Basicaly I rather define the core concept of contemporary Chinese aesthetics as "historicism" boundary. First, "historicism" in aesthetics represents thre elements: concepts of beauty as mind of subjectivity, "practical aesthetics" that is influenced by Chinese Marxism and "life aesthetics" as complex patterns of traditional aesthetical concepts and Western philosophical and aesthetical concepts.Second, the structures of Chinese aesthetics are being changed the formations as folows: the legitimation of aesthetics being and modernization of the theorization level. The modernization of traditional formation and the Chinese transformation of Western advanced theory or thoughts.Third, the contents of contemporary aesthetics are considered deeply: according to the philosophical categories, ontology, epistemology and axiology. On ontology the "mind subjectivity" is the mainstream. Aesthetical epistemology means the co-existence of "institution and logic. Axiology of aesthetics shows the basic meanings of arts, literature and mass culture.In the context of Chinese aesthetics tradition, modern Chinese design aesthetics system and thinking methods would be established. Through the critical inheritance of Western and/or Chinese design tradition and/or modern design aesthetics, the ways of they would be available.In conclusion, I would discus the core position and value establishment of Chinese design aesthetics in contemporary China.