가곡원류와 논곡지음의 수용양상에 관한 연구

The part of Kagok wŏllyu 歌曲源流 and Non'gok chiŭm 論曲之音 collected in Kagok wŏllyu ꡔ歌曲源流ꡕ come under the introduction of the book. The editor of Kagok wŏllyu expresses his opinion of direction of edition through the introduction of the book. Therefore it is estimated to be very important how the content of Kagok wŏllyu and Non'gok chiŭm collected in Kagok wŏllyu ꡔ歌曲源流ꡕ is accepted and what the composition is. There are two kinds of research method of this study; one is to confirm each documents that collect Kagok wŏllyu and Non'gok chiŭm; another is to compare and analyze the contents of the original that are collected in documents. Followings are the results of this study; First, the process of historical transmission of documents that contain Kagok wŏllyu and Non'gok chiŭm could be grasped. The documents revealed so far confirmed the first record of Non'gok chiŭm as Monggye p'ildam ꡔ夢溪筆談ꡕ by Sim Kwal 沈括. Second, an objective and verifiable documents about Kagok wŏllyu could not be confirmed. However, it was able to confirm that Non'gok chiŭm - related content was collected in Monggye p'ildam in part and the Non'gok chiŭm collected in Monggye p'ildam is related to chi'ŏ 致語 that is sung in dancing Chajimu 柘枝舞, or the content related to the way of singing. Lastly, it was found out that Pak Hyo-gwan 朴孝寬 and An Min-yŏng 安玟英 who edited Kagok wŏllyu did not cite the content of Kagok wŏllyu and Non'gok chiŭm after directly confirming in Nŭnggaejae mallok ꡔ能改齋漫錄ꡕ, but did cite it through the content of Samun yuch'wi ꡔ事文類聚ꡕ.