현대 중국 건축 디자인 미학의 특징

The article purposes to illustrate the architectural design aesthetics theory establishment in China. The Chinese characteristic theory of architectural design aesthetics would be sought as the clues through the review of the tradition Chinese architectural design aesthetics and Western architectural design aesthetics tradition. The roots of architectural design aesthetics in China would be the two traditions: thought and art. the former forms the inner level and latter represents the outer level. This tradition has descended the all dynasties in ancient China. In modern times, China has searched the mix or de-construction of Chinese elements and Western sources. The history of design aesthetics in China divided three stages: ancient, modern and contemporary. The characteristics of ancient aesthetics was realism under the ethics basis and imagism that would unify nature and human. The study method was "mind-perception" patterned epistemological approach. Entering the modern times, the mainstream of Chinese aesthetics spirit tended to the development of the thought-oriented theories rather than the form-oriented theories, the roles of modern aesthetics theories had have the resolution of the tragedy historic situation through the advent, re-interpresentation, enlightenment function and the literature posture as the reform of the society. The theories of contemporary represented the transform of the Marxism thought and philosophical method and the reflection of praxis of the ideology and the admiration spirit of the human life. After 1980, China has created the new Chinese style or models of mix condition of Chinese ancient design illustration concepts and Western design thought or mainstream with philosophies in the reform and opening period. The concepts and contents and globalization spirits of the architectural design aesthetics would be required for the establishment of the theories system, and they would be constructed through the explanation by the contrasts and harmonies between Western styles and Chinese traditional patterns: arts and ethics, form and function, and environment and outer expression. The entire efforts are working through the acquisition of the orthodoxy of the Chinese style aesthetics, the critic of traditional characteristics of aesthetics and the core truth recognition of the "beauty", expression method and symbol use for the establishment of new aesthetics system. In conclusion, I would suggest three points: first, the Chinese architectural design aesthetics expresses the "nothing"(wu) and "space" aesthetics. second, the authority and order stressed through the architecture, the aesthetics objects, third, the alternatives would be suggested as the symbolic and graphical concepts by the Chinese characters. On the basis of de-construction of the established Chinese, Western design concepts and thought or the business-minded wild mass things like quasi-arts and aesthetics, Chinese contemporary design illustration aesthetics has undergone the new construction, paradigm and tradition in the architectural design illustration aesthetics.