디자인 모호성 제거를 위한 렌하르트(J.M.Lehnhardt)의 디자인 현상학에 대한 고찰

Today, design environment is showing a complicated trend as much as unbelievably difficult to make a prediction itself and it is becoming all the more difficult to elicit the understanding of ever varying consumer psychology and design outcome. In addition, designers are demanded to use a scientific means of expressing their own formative philosophy and, in reality, an enterprise is expecting the products that could be in an optimum state in the market. Consequently, the design, at this juncture, should be developed more scientifically and for this purpose, it is about time we should have interest in the system, such as Jana Maria Lehnhardt's design phenomenology. Design phenomenology can be judged to be a verification system to list up the formative contents and also an important means of understanding formative codes. Particularly, design are not free from ambiguity and design-created linguistic contents of a product assume metaphorical, abstract characteristics. That's why a scientific means is required to more accurately understand the formal contents included in design. Design phenomenology is a verification of the already developing results and thus, it might be considered to be seemingly a deterministic means; however, it is a prescription-based means in that it is a means of understanding a formative characteristic governing the market.