CAD / CAM 을 이용한 전통문양 장신구 디자인 연구

Since the beginning of the Since 21stcentury, the global culture, arts and various identities of human being are gradually disappearing. Instead, the new fusion phenomenon on which combines the tradition and modernism has been settled down in our daily life. Before discussing the bisection on whether such fusion phenomenon is good or bad, we should examine how much we know of our culture and the traditional things around us and pay attention to how much we are interested in such things. At the moment, the various faceless things and culture aroundus, which have no identity, lie here and there without their actual owners. If the new fusion phenomenon has been settled down as the time passes, it can be also a kind of new culture. However, there is our own traditional culture which is hardly changed. Only when our traditional culture is deeply rooted in our everyday life, such new fusions can get along with our traditional culture. If not, it is highly likely that we scarcely know what our own traditional culture is about. Even, we can’t see any existence value of our traditional culture. In this study, the traditional patterns are used as an implicative language which can represent our traditional culture, and they are expressed, designed and manufactured in combination with the advanced technologies and our traditional things by using computer and CAM which provide the new method for the expression and design of current accessories. By building such process, our culture and tradition becomes popular and can be used as the accessory design sources. In addition, by understanding the difference between present culture and the traditional one and making such cultures coexist, this study can build the harmony which makes our traditional culture more valuable and significant Since the beginning of the Since 21stcentury, the global culture, arts and various identities of human being are gradually disappearing. Instead, the new fusion phenomenon on which combines the tradition and modernism has been settled down in our daily life. Before discussing the bisection on whether such fusion phenomenon is good or bad, we should examine how much we know of our culture and the traditional things around us and pay attention to how much we are interested in such things. At the moment, the various faceless things and culture aroundus, which have no identity, lie here and there without their actual owners. If the new fusion phenomenon has been settled down as the time passes, it can be also a kind of new culture. However, there is our own traditional culture which is hardly changed. Only when our traditional culture is deeply rooted in our everyday life, such new fusions can get along with our traditional culture. If not, it is highly likely that we scarcely know what our own traditional culture is about. Even, we can’t see any existence value of our traditional culture. In this study, the traditional patterns are used as an implicative language which can represent our traditional culture, and they are expressed, designed and manufactured in combination with the advanced technologies and our traditional things by using computer and CAM which provide the new method for the expression and design of current accessories. By building such process, our culture and tradition becomes popular and can be used as the accessory design sources. In addition, by understanding the difference between present culture and the traditional one and making such cultures coexist, this study can build the harmony which makes our traditional culture more valuable and significant.