몽골 할흐 전통문양의 스토리텔링디자인 연구- 격자문양을 중심으로 -

Saraljin Pattern is the most typical pattern of Khalkha Mongol thatappears much in Eurasian Altai people. Saraljin Pattern is also known askhanan Pattern, because it is like a wall decoration pattern of MongolianGer. In this paper, Saraljin Pattern includes philosophy of birth and death ofEurasian genus-Altai. This can be determined through a meaning of thegrid pattern and a case study. in other word, Saraljin Pattern has the mostreligious color that is directly linked to death or negative removal inEurasia - Altai culture. In addition, the philosophy of Saraljin Pattern is proven in Korea'straditional door decoration and also in the structure of Goguryeo tombmurals. khasilg-a chilagu represents the Saraljin Pattern in historicalartifact of Eurasia-the Altai people. this paper implicated the system ofstorytelling of Saraljin Pattern with khasilg-a chilagu and Bird-Manpainted on Lascaux cave. This paper emphasized that it is important to interpret through consilience of disciplines like humanities, psychology and psychoanalysis,when approaching the traditional pattern of historical heritage.