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학술논문무용예술학연구2016.03 발행KCI 피인용 6

푸코(M. Foucault)와 포사이드(W. Forsythe)의 ‘헤테로토피아’ 논의

Discourses On the ‘Heterotopia’ of M. Foucault and W. Forsythe

김말복(이화여자대학교)

59권 2호, 21~36쪽

초록

This paper is a comparative study of M. Foucault’s idea of ‘heterotopia’ with William Forsythe’s dance work which has the same title heterotopia (2006) to figure out the influences of Foucault’s idea on Forsythe’s work and the differences between the two. I discuss the way of ‘thinking in different’ in the process of explaining the influences of Foucault’s idea on Forsythe’s work and study Forsythe’s continuously vanishing moments of movement which offers a redefinition of dance as the process of embodied disappearance. In conclusion, as Forsythe said himself, Foucault was useful to start something. But It was not useful to finish it. Thus Foucault’s ideas were very suggestive in terms of procedure of experimenting Forsythe’s insatiable and awesome intellectual curiosity.

Abstract

This paper is a comparative study of M. Foucault’s idea of ‘heterotopia’ with William Forsythe’s dance work which has the same title heterotopia (2006) to figure out the influences of Foucault’s idea on Forsythe’s work and the differences between the two. I discuss the way of ‘thinking in different’ in the process of explaining the influences of Foucault’s idea on Forsythe’s work and study Forsythe’s continuously vanishing moments of movement which offers a redefinition of dance as the process of embodied disappearance. In conclusion, as Forsythe said himself, Foucault was useful to start something. But It was not useful to finish it. Thus Foucault’s ideas were very suggestive in terms of procedure of experimenting Forsythe’s insatiable and awesome intellectual curiosity.

발행기관:
한국무용예술학회
DOI:
http://dx.doi.org/10.16877/kjds.59.2.201603.21
분류:
무용

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푸코(M. Foucault)와 포사이드(W. Forsythe)의 ‘헤테로토피아’ 논의 | 무용예술학연구 2016 | AskLaw | 애스크로 AI