엑스포 파빌리온에서 감성 디자인 표현 연구

Expo has reflected the contemporary paradigms in a timely manner. As a result, Expo's exhibition system has evolved accordingly. As the realm of creation that has dealt with the future developments, Expo has been evolving into the realm in which the alternatives to various problems the world is facing in the 21st century are shared. The purpose of this study is to identify what significance emotional design has as a design approach method in relation to the Expo pavilion reflecting the contemporary paradigms if Expo favilion is deemed as an important tool to create communications with spectators. Moreover, this study aims to examine how the expressions of emotional design are represented. In regard to the research method used in this study, the significance of emotional design is to be identified through literature review. In addition, the need for an emotional design approach is to be revealed through literature review. The precedent studies are to be analyzed for the purpose of deducting the characteristics of emotional design expression and also presenting the analysis criteria in relation to the elements of pavilion design plan. Lastly, the results of case analysis are to be examined and summarized. The scope of this study is limited to the pavilions at Expo Shanghai 2010 and Expo Milano 2015. Following are the analysis criteria for the expressions of emotional design on the basis of the linkage between the spatial characteristics of emotional design and the elements of pavilion design plan: symbolism for expressing design concepts, support for inducing interactions with spectators in a spatial program and scene and continuity for inducing diverse experience of spectators through spatial configuration. As a result of the analysis on the cases of emotional design expression, symbolism expressing the formativeness of pavilion was represented as an objet of a form and also as a shape of an image, whereas support through spatial program was represented as reinforcement of experience through participation and generation of multiple meanings. Lastly, scene and continuity through spatial configuration were represented as configuration of non-routine scenes and non-deterministic sequences. The expressions of emotional design creates diverse communications by stimulating the emotion of spectators. In doing so, they can create a wealth of experiences along with the values thereof. In conclusion, the significance of the expressions of emotional design at Expo pavilion is as follows. Spectators can have emotional satisfaction by understanding diverse meanings and values in relation to the themes of Expo through stimulation of emotions. At the same time, it becomes possible to share the alternatives to the common problems, with which the whole world is dealing. On that account, emotional design can be said to fulfill the Expo paradigm of the present day. More importantly, it can be regarded as a design approach method to create the cultural values of Expo.