온라인 공연 • 영상화의 법적 쟁점에 관한 연구

The performing arts has its own characteristics of presence and one-time. From a market point of view, they act as space-time constraints. Recently, attempts have been made to overcome the space-time constraints of the performing arts by using new technologies such as online performance - video production. In the process, various legal issues have been raised. In order to resolve these legal issues, it is necessary to analyze the current status of the performance market and the stakeholders. In the performance market, performance agencyproducers, original authors, creators, and performers have complex interests. Online performance - video production in the domestic market is still in its infancy. Interests related to this have not yet been properly reflected in the contract. Accordingly, when a performance agency producer wants to conduct an online performance - video production business, it is necessary to properly reflect the interests of other parties. If online performance-video production is viewed as a new medium different from traditional stage performances, it is difficult to expand and interpret the agreements or contracts made by the parties based on traditional performances. Conversely, if it is viewed as a medium that complements traditional performances, there is room for applying existing agreements or contracts to online performances - video production. However, since the forms of online performance - video production currently in progress are very diverse, it is necessary to comprehensively consider the positions of the parties, common sense of society, and appropriate arrangement of economic interests, considering the nature of individual projects. If the parties participating in the performance market fully understand the meaning and potential of online performance/video production, and form a contract that properly reflects each other's interests, our society will be able to enjoy the benefits of such changes.