중국 민가(民家) 디자인 -현대를 중심으로-

The purpose of the thesis is to discuss the design thoughts and shapes of Chinese private houses. The background is to recognize the importance of the 'design market'. The urban middle class, and the modern period is the scope, and the 'necessity' theory, 'aesthetic and functional theory' and 'shaping theory' are the methods. The three elements of private house design are principles: knowledge, and practice. The principle is that natural and humanistic geography are important elements, and knowledge emphasizes functionality and aesthetics. Actually, there are two categories: southern and northern, and five categories: Siheyuan, Huoyiwu, Mongol Tents, Yaodong and Tulou. The theory and practice of modern Chinese private houses are divided into eclectic, and creative types, Jinja Huang and Qiao Ga Dayuan, etc. are traditional examples. The eclectic style is 4 types from 1840 to modern times as Western designs were introduced to China. “Hwawon Yangbang,”and the“China-West Mixing” method, Yeonbanglou, is a example. In the modern era, the era of 'Westernization dominance and initiative' has arrived, and Yeoju-si, Sichuan Province and the Huipai architecture recreated in the United States. There are realities such as Eumyeodang (蔭余堂). In conclusion, three things are presented. First, until modern times, Chinese private houses can be divided into three types: traditional, eclectic and creative. Second, Chinese private houses are developing in a way that incorporates the traditional Chinese style based on the Western style. Third, as Chinese private houses are an important “architectural design market,” a historical, cultural, and contemporary understanding is required.