현대 중국 디자인의 심미, 기능, 사상 연구 -중국 건축 디자인(구조물) 사례 분석 중심으로-

The essence of Chinese design was defined as a constituent element, and it was inducted into aesthetics, function, and thought. The purpose of the study is a measure of the nature of which varies depending on the design elements. The background is our influencing relationship. The scope of the study is the post-modern period, and the method uses design element theory, feature theory, and historical theory. In the three major theories of design, aesthetic theory is key to acquiring general aesthetics characterized by relativity. Functional theory is stronger than other theories. There is a possibility that a 'good' design becomes a 'featured' design. Thought theory is an “idea”. The current design status is gradually strengthening in the case of aesthetic design, and representative examples are the golden pagoda apartments in Kunshan, and Hangdao in Gwangju. The functional design uses the strengths of the traditional function, and the Hangcheon High Technology Center and a map publishing company base were selected. The Chinese nature-centered ideology model is still in vogue, and the interpretation of the modern ideology of the wooden structureand the bookstore of Heunglong Lake were selected. There are three conclusions. First, the essence of Chinese design can be assessed with the standard of aesthetics, function, and thought. Second, it seems that the three elements of Chinese design are currently undergoing trial and error and achievements of their own. Third, the essence of Chinese design will be a path to understanding Chinese design.