그림책과 애니메이션의 상호매체성:마르샥과 쩨하노프스키의 『우편(Почта)』을 중심으로

The visualization of cartoons took place frequently, and in recent years, an example of media conversion of webtoons to dramas and movies is also common. Comics and webtoons, in which pictures and words are combined in a frame, act as a storyboard by themselves. In particular, cartoons and webtoons whose stories and drawings have already been verified are easily converted into animation and movies. Marshak's picturebook Post (Pochta) was published in 1927, and Tsekhanovsky drew on Marshak's poem and made a black and white silent animation in 1929 based on his picture book. Then in 1930, he created Russia’s first animation with synchronized sound, which is now lost. In 1964, Tsekhanovsky remade Post as an animation. Marshak's poem Post was intended to teach children the labor value of a postman that could be overlooked. Tsekhanovsky tried to effectively convey Marshak's poem's intentions and rhythms experimentally and creatively in picture books and animations, as well as applying Russian poster techniques, constructivism, futurism, and cubism, which he learned at the time, to various picture books and animation. Tsekhanovsky took the initiative to create his own story by filling the gaps of the story of Marshk’s poem while converting his picture book into animation. Marshak's poems were enriched through creative montage techniques, the pictorial mise-en-scene, and Sergei Eisenstein's experimental montage, the artistic development of Russian animation, creating animations that children, as well as adults, can enjoy.