현대 중국 디자인 추세 -건축 디자인의 세 사조(思潮)-

The purpose of this study is to induce the trends and trends of modern Chinese design into three trends of internationalism, standardism, and regionalism, and to analyze their contents and practices. The background is our relationship with the nature of design. The scope of research is modern and contemporary period, and the method adopts design concept theory, historical theory, and functional and aesthetic theory. In the three major trends in design, internationalism tends towards machine aesthetics and expressionism. Standardism is the caution that design should be created based on standards. It protects the independence of design through ‘standardization debate’, etc. Regionalism opposes the above two trends. It overcomes aesthetics and uniformity with culture or tradition. Internationalist design has become a trend on a global scale, and in China. As representative examples, the International Design Museum, Chongqing Laifutu Plaza, and Beijing Leeza Soho were cited. As for the standardist design, Nanjing Jinling Hotel, Shanxi’s Taiyuan City Light and Beijing Tourism Center were selected. Pangu Plaza, Anyang Yinhe Museum, and Zhejiang Art Museum were examples. Three conclusions are presented. First, Chinese modern design trends can be mainly attributed to internationalism, standardsism and regionalism. Second, the trends of internationalism and standardsism occupy a major part in the history of modern design in China and are still mainstream trends. However, they gradually liquidate the former with regionalism and tend to establish their own theories and practices. Third, the issues of Western and self, tradition and modernization design give us implications.