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학술논문복식2022.02 발행KCI 피인용 2

중국 남성복 패션에 나타난 젠더 뉴트럴 디자인

Gender Neutral Fashion Design in Chinese Menswear

SHAN XIN(경희대학교); 유영선(경희대학교)

72권 1호, 102~117쪽

초록

This study aims to provide a comprehensive methods of expressing gender neutral fashion trends to support designers' practical design thinking in Chinese menswear. For cases study emphasizing the practical design methods, an analysis framework was developed from a literature review. Gender neutral menswear fashion in China was classified into deconstructive, queer, fluid, and pluralistic. In the expression of design elements, the most common characteristics were found to be H silhouette, stiff texture, and associated colors matching. These are presumed to result from gender fluidity, i.e. when the boundary between men and women has become ambiguous. The design methods by type of gender neutral menswear in China were considered. The deconstructive gender neutral fashion was characterized by combining elements previously considered women's wear and menswear, e.g. decorating menswear using materials and details with a womenswear, or combining female symbol color. The queer gender neutral fashion was expressed extreme feminine images in menswear through methods that expose the human body, fit and slim silhouettes, transparent, soft textures or wearing items from womenswear as it is. Fluid gender neutral fashion expressed a combination of tradition and modernity, the use of materials heterogeneous in pattern and texture, and harmony between subculture and high class culture. Pluralistic gender neutral fashion appeared in new forms, exhibiting elements in which prior norms were dismantled and recombined under the influence of the cultural and artistic zeitgeist alongside the gender neutral concept of men and women.

Abstract

This study aims to provide a comprehensive methods of expressing gender neutral fashion trends to support designers' practical design thinking in Chinese menswear. For cases study emphasizing the practical design methods, an analysis framework was developed from a literature review. Gender neutral menswear fashion in China was classified into deconstructive, queer, fluid, and pluralistic. In the expression of design elements, the most common characteristics were found to be H silhouette, stiff texture, and associated colors matching. These are presumed to result from gender fluidity, i.e. when the boundary between men and women has become ambiguous. The design methods by type of gender neutral menswear in China were considered. The deconstructive gender neutral fashion was characterized by combining elements previously considered women's wear and menswear, e.g. decorating menswear using materials and details with a womenswear, or combining female symbol color. The queer gender neutral fashion was expressed extreme feminine images in menswear through methods that expose the human body, fit and slim silhouettes, transparent, soft textures or wearing items from womenswear as it is. Fluid gender neutral fashion expressed a combination of tradition and modernity, the use of materials heterogeneous in pattern and texture, and harmony between subculture and high class culture. Pluralistic gender neutral fashion appeared in new forms, exhibiting elements in which prior norms were dismantled and recombined under the influence of the cultural and artistic zeitgeist alongside the gender neutral concept of men and women.

발행기관:
한국복식학회
분류:
생활과학

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중국 남성복 패션에 나타난 젠더 뉴트럴 디자인 | 복식 2022 | AskLaw | 애스크로 AI