중국 디자인과 사상 -근대 이후 건축 디자인의 세 사상-

By dividing Chinese design by era, the content and shape were analyzed by inducing pre-modern era to classicism, modern era to minimalism, and contemporary era to modernism as representative representations of each era. Our understanding of this will be the measures for our understanding of Chinese design. The scope of the study is modern, contemporary and contemporary periods. The research methods are thought and design theory, design thinking theory, and collision/fusion theory of design thought. Pre-modern design thought encompassed the transformation of traditional Chinese design against the advancement of Western design into 'classicism'. The modern design thought was represented by Bauhaus's 'minimalism' as the most dominant thought. In the contemporary design ideology, 'modernism', which emphasizes 'function' and 'artistic', takes its place as a symbol. Pre-modern design theories and forms show a style that combines the traditional ideas of ‘high engineering’ with Western ‘rococo style’. As for modern design theory and form, Western ‘minimalism’ has taken a dominant position in China. Contemporary design theories and forms represent the embodiment of the restoration of 'humanism' and 'artisticity'. In conclusion, I have three things: First, Chinese design thought are represented by pre-modern 'classicism', modern 'minimalism', and contemporary 'modernism'. Second, the 'modernism' trend has established itself as a dominant trend in all eras of China since the modern era and seeks a Chinese 'new style' in line with the revival of traditional design. Third, the design trend centered on Chinese design ideas will serve as a model for empirical understanding of Chinese design.