M. 불가코프의 드라마 『위선자들의 카발라』의 무대화 문제 연구- 1936년 모스크바예술극장의 공연을 중심으로

This thesis is a study to examine the problem of stage transformation of the play 『Kabala of the Hypocrites』, focusing on the confrontation between the playwright Bulgarkov and the director Stanislavsky that occurred during the process of transforming the performance text and the actual performance. To this end, in this article, the process of change and the meaning of the versions of the play 『The Kabbalah of the Hypocrites』 are examined in detail. Based on this, the problem of conflict with Bulgarkov that occurred during the Stanislavsky-led practice until May 28, 1935 , and after Stanislavsky's departure from practice, we would like to examine the meaning of the performance of "The Kabbalah of the Hypocrites", which was premiered at the Moscow Art Theater on February 16, 1936, directed by Vladimir Nemirovich-Danchenko, who succeeded it. At the beginning of the 20th century, the problem of staging surrounding the play 『Kabbala of the Hypocrites』, which was performed at the top Soviet playwright Bulgarkov, the best director Stanislavsky, and the best theater, the Moscow Art Theater in the early 20th century, is a broader and more fundamentally Not only will it be an important starting point for understanding, but it will also be a good opportunity to think about the meaning of staging in the conflict between the playwright's language text and the director's performance text.