송광사판 <몽산화상법어약록언해>의 한자음 연구

This study examined the Sino-Korean sounds appearing in Mongsanhwasangbeobeoyangnok-eonhae to identify the differences between Sigagoseoninbeobeo by Naong and Mongsanhwasangbeobeoyangnok-eonhae. The most notable feature of the Sino-Korean sounds in Mongbeop published by the Songgwang Temple are the Donggukjeongun-style sounds. These sounds were so notable because they were used in the original version of Mongbeop. Also, in the case of initials, the fact that 來母, 娘母, and 日母 maintain their normative aspect unlike in other 16th-century Buddhist scriptures likely increased the number of Donggukjeongun-style Sino-Korean sounds. However, like the Buddhist scriptures published in Jeolla- do in the 16th century, many Sino-Korean sounds reflecting palatalization appear in the Songgwang Temple’s edition of Mongbeop. Furthermore, the tones have a clear tendency toward rising as in Ancient Chinese which causes a bias toward “H” in Sino-Korean sounds. Unlike the Songgwang Temple edition of Mongbeop, no Donggukjeongun-style Sino-Korean sounds appear in Sigagoseoninbeobeo and 日母 is written only as “ㅇ.” In addition, in Sigagoseoninbeobeo, the rising tone of Ancient Chinese generally corresponds to “R” not “H.” These characteristics of Sigagoseoninbeobeo are generally more similar to Sahbeopeoeoeohae than Mongbeop.