백사전설의 파생형 각색 작품의 연구 -<청사(青蛇)>와 <백사2: 청사겁기(白蛇2: 青蛇劫起)>를 중심으로-

The research takes the novel "The Green Snake" and the animated film "White Snake 2: The Tribulation of the Green Snake" as the examples, analyzes and explores the "homogeneity" of classic adaptation works, solutions to the exhaustion of classic genres, and even effective methods for classic modernization through plot, character relationships, narrative space, narrative perspective, theme ideas, and values. First, the novel "The Green Snake" overturns the existing narrative perspective of the White Snake legend from a first person perspective, changing the simplified character relationships and stories of the classical narrative structure. Second, "White Snake 2: The Tribulation of the Green Snake" takes Green Snake as the protagonist, continuing the character traits and relationships of the White Snake legend, and maintaining an inherent understanding of the classic IP. In addition, it expands the classical narrative space by utilizing real space and mythological world, it constructs an independent story system that is detached from the classical narrative structure and blueprint. What's more, it also expands the narrative system through new IPs, generating new IPs based on mythological characters. In summary, it can be seen that the derivative method for adaptation not only solves the problems of homogeneity but also points out an advisable direction for the creation of "modern mythology."